![]() These were all planned as complementary pieces, just as he had completed a series of figure sculptures of saints for the Piccolomini Altarpiece. Night was just one part of Michelangelo’s work for the Sagrestia nuova (New Sacristy). Some of the latter's highlights included the likes of School of Athens, Stanza della Segnatura and Disputation of the Holy Sacrament. Joining Michelangelo within what we now refer to as Italy were Leonardo da Vinci, a highly regarded painter and inventor, as well as Raphael who produced many extraordinary portraits within his short life. He was one of the three true masters of this period, though there was also a number of key figures elsewhere at around this time across in Northern Europe where a similar level of artistic innovation was being displayed. The artist would have been around fifty years old at the time of this work, and his reputation already well established right across the country.įlorence would become the centre of the Italian Renaissance and so it is entirely fitting that a number of Michelangelo's original artworks still remain there today. Night itself was formed entirely from marble and this was Michelangelo's preferred material for a large part of his career. Some of these projects included tombs and altarpieces and frequently required a number of different sculptors' input, particularly when things took longer than initially expected. ![]() ![]() Michelangelo worked on a number of projects across his career where a main structure was built first, with areas left free for later free standing decorative items, just like Night as shown here.
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